About Us
We bring exciting interventions in arts & culture with our experience in technology, creative coding and product management.
Nanditi is a musician, livecoder, and cultural technologist working at the intersection of sound, code, and culture. Her practice combines feminist tech approaches with community-driven methods to build spaces for exploration, play, and collaboration. Her sound draws from ambient textures, field recordings, emotional melody, Hindustani classical structures, and algorithmic logic to create immersive, introspective experiences. Her track “Past/Lives” features on a collaborative album by India’s livecoding community. Her journey spans a tech career at Google India, grassroots folk arts work with Jaipur Virasat Foundation across Rajasthan, and Ajaibghar’s evolving body of tech-art projects—bridging disciplines, contexts, and communities. Her work has been presented at India Art Fair (2022), Serendipity Arts Festival (2020), Audiodevcon (2024), Jaipur Art Week (2025, 2026), BLR Hubba (2024), BeFantastic & TCS’s TechTonic Shifts at Science Gallery (2026), and Indian Music Experience, with coverage in Vice, Vogue, and Wildcity. She amplifies local cultures, music traditions, and experimental sound practices.
Computational Mama is an artist and creative technologist. Her work explores code as a practice of care, which she models through facilitating communities for creators to learn code. She also works deeply with AI searching for intersections between motherhood and AI, she is currently building spaces for non-western feminist dataset in AI language models and helping artists make their own solar powered AI servers! She has been a 2024 Research Fellow at ProHelvetia, 2021 Processing Fellow and 2020 BeFantastic Fellow, a speaker at HEAD, Geneva, NYU, Shanghai, BIC, Bump Festival 2023 and more; she has been featured in Casey Reas’ (co-founder, Processing) list of generative artists doing interesting work. Her work has been featured in Bangalore International Center (2024), India Art Fair (2022) and Vorspiel / transmediale & CTM (2021).
